Justyn Michael Zolli
is an expressionist painter, draftsman, printmaker and glass painter.
Justyn studied drawing
and stained glass at Rhode Island School of Design in Providence RI,
and drawing at the Massachusetts College of Art. Later he graduated
from the School of the Museum of Fine Arts, Boston and Tufts University,
where he studied Mythology and Philosophy.
At the Museum School,
Justyn was awarded the 1998 Will and Elena Barnet Award in painting.
In 2000 he was awarded the Stephan Bridges Memorial scholarship by the
Stained Glass Association of America. He is a journeyman stained glass
craftsman, and has worked for several studios both in Boston and New
York as a painter and restorer.
In 1999 Justyn departed
on a tour of Western Europe, a photo-expedition and study tour throughout
Ireland, Scotland, England, France and Italy.
Shortly after returning
he moved to New York City and now maintains a studio in Williamsburg,
Brooklyn. His work is collected privately and he will be having his
debut New York exhibition in December 2002 at the Williamsburg Art Nexus
(WAX) Gallery.
Statement:
"Expressing both
abstraction and figuration, my work centers on the exploration of self
and the journey of expanding and deepening consciousness. In recent
paintings, my visual language has centered on a circular, vortex-mandalic
form and a sinuous, serpentine-labyrinth form. These express the themes
of time and eternity, passage and destination within the psyche, and
the inclination of the male and female forces.
My symbolic figurative
paintings are focused on recasting ancient mythic, poetic and heroic
themes into personal, expressionist iconography. Each generation of
work I call a 'Hero Cycle'. The archetypal hero progresses to conscious
maturity by traveling through the labyrinth of his own mind.
In the course of this quest the male hero suffers, but seeks to understand,
learn from, and change his suffering. In this process he undergoes a
deepening transformation. He begins to convert his violent prime energy
into patient, creative work. He also begins to understand the feminine
forces that are at work within his own mind, his own body, and the universe.
As the hero changes,
he begins to understand this change is embodied by the cycle of seasons
and the heavens, the cycle of growth and decay, and life and death.
For me, gaining this understanding is the truest purpose of my Art.
November,
2002