Statement
July
2002
In the space
before the submerging into dream and the space before cresting into
wakefulness I find the greatest clarity of thought. It is on this quiet
ground I stand when I paint.
The sum total
of painted images, from the dreamings of the past to the shadows of
the present
This is my tool, my heritage and my conversation.
The still
voices of the first poets
The ancient ones who first Worded the world into being
they are my ancestors.
My own paintings
are my modest chapter in this long story.
They are a little door that I humbly open and invite others to see what
I have unearthed.
Painting is the way in which I conquer.
To conquer:
my fears of the unknown within
my ambitions for the future
my expectations of self
my illusions of meaning.
The Great
Battle is:
that which I know
that which I desire to create or depict
that which seems fixed or absolute
versus
that which is unknown
that which becomes created without desire
that which is fluid and mysterious
In the cloud
of unknowing:
Intuition is my greatest compass.
The colored mud itself is my greatest frustration.
The unconscious is my deepest wellspring
The great mythologies are my densest puzzles and brightest illuminators.
Nature is my inspiration.
Toward the within is my direction
Here Time is non-linear and non-circular.
Painting
teaches me about non-attachment to form, feeling, and sensation
and in so doing I evolve in empathy and compassion.
The act of
painting is a meditation
The act of painting is a crucible
The act of painting is an expression
The act of painting is an excavation of memory.
The imagery derived is the poetic language of a story I never realize
I'm writing.
Thoughts
on Drawings
Aug 2002
Charred,
carbonized wood
scratched
on flat dried sheets of wood pulp,
pulverized now
into pristine bleached paper.
Drawing begins
with the death of trees.
the Beginning.
the rudimentary, primeval ways.
to seek understanding.
to make marks
in this phenomenal realm.
Thus is birthed
into our curious world
the entry point of metaphor.
A relationship of form to form
and form to being.
And being in space and time.
It is a linking back,
to the first poets,
to the advent of symbol and signs.
And even before that,
to mystic initiations deep within caves.
The origins
of written language
the glyph
and Instructions for the Dead
began with drawings
The deciphering of mechanics in Physics and Mathematics begins
with the scrawl of white chalk on slate
in rarefied vernacular.
It is true
all great structures and machines begin first with drawings.
Dreams are
the drawings of our slumbering minds.
Wars begin
with drawn lines on drawn maps.
Blink.
Light and Shadow are drawn across the retina,
then down the optic thread.
In a way, whether it is our own
or the Deity's,
all that we see in the world is someone's drawing.
Acknowledgments
A
very humble Thank You to:
God
the one and only, the greatest artist, by whose grace go I
A very special Thank You to:
My parents,
Frank and Brenda Zolli,
upon whose foundation of constant love, assurance, and support I have
become the man I am today
My brother
Andrew,
Whose tireless support, encouragement, wisdom and love has carried
me through the darkest valleys
My brother
Alexander,
who I have watched grow from a beautiful boy to a thoughtful and intelligent
man, and whose love and
admiration I strive to be worthy of.
My partner
and muse Ann,
who loves and supports me and eases my suffering
My uncle
Michael Zolli,
whose guidance and love has helped me achieved my creative goals
Thanks
and appreciation also to:
Jennifer,
my new sister
Papa Chaz Zolli,
Nana Zolli
Danny Zolli,
Bob Jr. And Susan Zolli and A2Z,
Sheila Zolli, Maribe Zolli, Carolyn Zolli
Uncle Ed Hanson, who will forever live in my mythic imagination "Well
Goddam!"
Ginny and Bob Gill
Tim Tebbutt, a profound artist, a spiritual brother.
Rachel Ford, my globe skipping earth goddess
Esa Dean, earth goddess and visionary
Kesler Pierre
Stephen P.
Mark
Hogan
Jay Twitchell and Ivy Baldwin
Bill "The Prophet" Dodds,
Shields and Francis Flynn
Kaji Aso, my Eastern painting teacher
Miroslav Antic, my Western painting teacher
Bill Flynn, my drawing teacher
Bobby Friedman
The folks at Shim Gum Do Zen Sword School
The Museum School, Boston, my beloved alma mater
All the families of Europe who made my voyage there such a profound
experience:
Walker
Family of Norwich England
Sayers Family of York, England
Famillie Zolli du Quimper, France
Famillie Zolli/Minel du Nancy, France
Famillia Zolli di Venetzia, Italy
Famillia Zolli di Firenze, Italy
Famillia Zolli di Benevento, Italy
Famillia Zolli di Lucera, Italy
Fammillia Zolli di Trioa, Italy
Fammilia Zolli di Napoli, Italy
And to
all my loving friends through the years whose names I may have failed
to mention here, thank you.
Special
thanks to Andrew for creating this website for me